EDITORIAL

• Shirley Chew

DRAMA

• Michael McMillan, Brother to Brother
• Wole Soyinka, King Baabu

FICTION

• Shashi Deshpande, The Day Bapu Died
• E.A. Markham, A Short History of Employment in Britain
• Zafer Senocak, Flying
• Aritha van Herk, Type/Caste: A Poetics of Class

POETRY

• Maura Dooley, Sexton and Merwin, 1968, I’m Not in Love
• Carol Ann Duffy, The Cord
• Mimi Khalvati, The Love Barn, Just to Say, The Coat

  All Things Bright and Beautiful

• John Kinsella, Hölderlin was not Mad
• Greg O’Brien, Ode to the Chair, Ode to Sleep
• Niyi Osundare, Telling Gift, Letter From The Editor, Meeting

  At Bertolt Brecht’s House, Berlin

• Ann Sansom, Crookes, Blessing the House, Night Ferry – August 1950

  What Friends are for, to stop you going out too far;

• Peter Sansom, Night Fishing, Nocturne
• Adam Strickson, Two paintings: Oil on oak, Tempera on canvas

  Where are we?, A strange story about Bangladesh

ARTICLES

• Susan Burns, The Little Room of the Big Questions
• Salima Hashmi, Past Moulds – Present Matters
• Marcia Hutchinson, Nothing Like a Dame
• Quddus Mirza, The Boom in Miniature Painting
• Griselda Pollock, Broken Histories/New Beginnings:

  Jewish Presence/Difference in Yorkshire

• Randolph Stow, Settling In – Reflections on a Colonial Record
• Judith Tucker, Traverse
• Wils Wilson, Without Walls

NOTES ON CONTRIBUTORS