This issue of Moving Worlds seeks to examine how discourses of crime and criminality are produced in a global context that extends well beyond the cloisters of Orwell's English middle class. We ask how writers and cultural practitioners from around the world have diversified the crime writing genre, moving beyond the detective novel in order to experiment with a variety of media including short fiction, television, performance, visual art and graffiti.
Neil Murphy, Crimes of Elegance: Benjamin Black's Impersonation of
John Banville
David Platten, Mediatized Realities: The Modern Crime Narrative
Christiana Gregoriou, The Televisual Game is On: The Stylistics of
the BBC's Modern-Day Sherlock
Kate Horsley, Interrogations of Society in Contemporary African
Crime Writing
Jiaying Cai, Qiu Xiaolong and Linda Fairstein: Representations of Crime
Sites in Shanghai and New York
Andrew Pepper, Henning Mankell: Political Reactionary
Jak Peake, Rebels for Justice: Pirates, Prostitutes, Maroons and Fugitives in
Nineteenth-Century Trinidad
Isabelle De Le Court, Witnessing Beside the Forgotten:
Maja BajevicĀ“'s Women at Work
Rivke Jaffe, Visual Culture and Criminal Iconization in Kingston, Jamaica:
A Photo-Essay
'Palas Por Pistolas', One Gun, One Shovel, One Tree