This issue seeks to reflect recent trends in New Zealand literary and critical practice, in particular what the editors observe as a sense of detachment from traditional nationalistic imperatives. The issue is guided by the assumption that New Zealand cultural identity registers an uneasy cohabitation with the official biculturalism instituted in the 1980s, and through images generated as a consequence of the Lord of the Rings trilogy
Contents
EDITORIAL
STUART MURRAY & MARK WILLIAMS
FICTION
PAUL DAGARIN, River Exercise
ALISON GLENNY, On the Ice
SARA KNOX, From
The Midday Demon
– Railhead
CARL SHUKER, From
The Depleted Forest
– Meals Variously Ready to Eat
POETRY
ROBERT SULLIVAN, Took: A Preface to ‘The Magpies’,
Fragments of a Maori Odyssey
GREGORY O’BRIEN, The non-singing seats, The Surfer’s Mass
JOAN FLEMING, How to have made what we’re making, Going In, Children
GEOFF COCHRANE, That Winter with Celeste, Coming Down with Something,
South Auckland, Late in the Day, Self-Portrait
ANNA JACKSON, Dream golems, Pull down the white curtain,
Poetry and its returns, Infinity
CHARIS BOOS, Mnemosyne
ARTICLES
STEPHEN TURNER, Compulsory Nationalism
JAMES MEFFAN, ‘Culturalism gone mad’: The Play of Cultural Rhetoric in the
Invention of New Zealand National Identity
MICHELLE KEOWN, ‘Can’t we all just get along?’:
bro’Town
and New Zealand’s
Creative Multiculturalism
JANE STAFFORD, ‘Irrevocably mute, for ever mourned’: George Grey and
his Collaborators
KIRSTINE MOFFAT, The River and the Ocean: Indigeneity and Dispossession
in Vincent Ward’s
River Queen
MELISSA KENNEDY, ‘Are You for Real?’: Witi Ihimaera’s Eidolon Camouflage
CLARE BARKER, ‘Bionic Waewae’ and ‘Iron Crutches’: Turangawaewae,
Disability, and Prosthesis in Patricia Grace’s
Dogside Story
JULIE ADAMS, Carving a Space: George Nuku and
Power and Taboo:
Sacred Objects from the Pacific 1760-1860
at the British Museum
REPORT
STUART MURRAY, Era New Horizons Film Festival, Wroclaw, Poland July 2008